Strong and Smart - Towards a Pedagogy for Emancipation tells the story of how Dr Chris Sarra overcame low expectations for his future to become an educator who has sought to change the tide of low expectations for other Indigenous students. The book draws upon Roy Bhaskar's theory of Critical Realism to demonstrate how Indigenous people have agency and can take control of their own emancipation. Sarra shows that it is important for Indigenous students to have confidence in their own strength and ability to be as "able" as any other group within society.
The book also compares and contrasts White perceptions of what it is to be Indigenous and Indigenous views of what it is to be an Aboriginal Australian. The book calls for Indigenous Australians to radically transform and not simply reproduce the identity that Mainstream White Australia has sought to foster for them. Here the book explores in what ways Aboriginal and Torres Strait Islander people are "othered" by White Australians. Sarra seeks to advance the novel position that it is OK to be other to White Australia. The question becomes, "which other?" The Indigenous Student should not be treated as the Feared and/or Despised Other, nor should they be coerced into wholly assimilating into White culture.
Emily Carr, often called Canada's Van Gogh, was a post-impressionist explorer, artist and writer. InArtist Emily Carr and the Spirit of the Land Phyllis Marie Jensen draws on analytical psychology and the theories of feminism and social constructionism for insights into Carr's life in the late Victorian period and early twentieth century.
Presented in two parts, the book introduces Carr's emigre English family and childhood on the "edge of nowhere" and her art education in San Francisco, London and Paris. Travels in the wilderness introduced her to the totem art of the Pacific Northwest coast at a time Aboriginal art was undervalued and believed to be disappearing. Carr vowed to document it before turning to spirited landscapes of forest, sea and sky. The second part of the book presents a Jungian portrait of Carr, including typology, psychological complexes, and archetypal features of personality. An examination the individuation process and Carr's embracement of transcendental philosophy reveals the richness of her personality and artistic genius.
Artist Emily Carr and the Spirit of the Land provides captivating reading for analytical psychologists, academics and students of Jungian studies, art history, health, gender and women's studies.
While their health has suffered enormously because of the arrival of the Europeans, it is assumed that Aboriginal people enjoyed good health before 1788. Using data collected from all parts of the continent, this 1995 book studies the health of Australia's original inhabitants over 50,000 years. It represents the first continental survey of its kind and is the first to quantify and describe key aspects of Australian hunter-gatherer health. The book takes a theoretical approach to Upper Pleistocene regional epidemiology and presents empirical data of the health of late Pleistocene and Holocene populations. Major categories of disease described are: stress, osteoarthritis, fractures, congenital deformations, neoplasms and non-specific and treponemal infections. The author also describes surgical techniques used by Aboriginal people. Offering fresh insight into the study of Australian prehistory and Aboriginal culture, this book will be accessible to specialists and general readers alike. It illuminates the origins of human disease, and will fill a gap in our knowledge of health in the Australasian region.
Calligraphy and related arts make up the most important forms of Irano-Islamic art. For a better, more comprehensive understanding of Iranian art up to the present day, it is imperative to understand the calligraphy's influence on Iranian culture. Hamid Ghelichkhani, a contemporary master of this art, has put together this first-of-a-kind dictionary. Calligraphic expressions are in either Persian or Arabic followed by an English description based on Persian texts and often accompanied by an illustration. These expressions which are key to understanding old calligraphic treatises and many other sources on Islamic art, are meant to familiarise the reader with both common and forgotten Iran calligraphic traditions.